Предмет: Немецкий язык, автор: тупойшкольник20

Помогите пожалуйста!!!!!

Приложения:

Ответы

Автор ответа: larmih

По горизонтали
1. sagst
2. bringt
9. hol
10. sagte
11. Industrie
13. Eingang
14. Städten
16. Er
17. Klang
19. Bad
20. ins
22. Tee
23. mit
25. wie
26. Ratte
27. du
28. anfangs
31. höheres
34. Forschung
35. liebt
36. Eis
37. Theater
38. Tiere

По вертикали:
1.
2. Gegenwart
3. Thema
4. klingelte
6. Ausländer
7. hörst
8. Ehe
12. des
15. ein
17. kam
18. gewünscht
19. beruhigen
20. Interesse
21. See
24. ihn
29. Farbe
30. Sau
32. holst
33. setze
34. fit

тупойшкольник20: посоги пожалуйста с новым заданием!!!

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Renoir
“For me a painting must above all be beautiful, loveable and delightful, something really pretty. There are enough …1… things, we don't need to make new ones”, wrote Renoir. Accordingly, he is seen as the painter of the …2… side of life. The play of sunlight and the reproduction of …3…, but particularly the human figure in natural light, form the central content of Renoir's paintings. In the pleasure-garden ‘Moulin de la Galette’, the light shines through the …4 leaves … of the trees, and dances over the ground and the figures in …5 countless… little patches of glimmering colour. The people as well as the ground seem to …6… in the play of light between the light and dark patches. Renoir had absolute …7… in the descriptive effect of colour: with short, soft strokes and delicate grades of colour, he produced gentle, vague contours, so that all the picture …8 vague … seem to blend, to blur. Details can no longer be …9… among these veils of colour.
Thanks to the so-called ‘synthetic’ process of seeing, however, Renoir's paintings remain …10… to the viewer. With the vague painting on canvas that only hints and describes, the viewer automatically compares ‘typical’ images …11 stored … away in the unconscious, and thus completes it. Renoir – like his friend Monet – deliberately addressed the …12… process of reception, in order to make his paintings appear even more vivid through the viewer's own efforts. He made use of Leonardo’s sfumato technique of …13… contours, and at the same time created one of the bases for the …14… painting of the 20th century.